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The Cleveland Museum of Art
View of Schroon Mountain, Essex County, New York, After a Storm
Description
Championing the American wilderness, Cole declared, "We are still in Eden," in his Essay on American Scenery, published two years before he painted this view of the Adirondacks. The artist sketched the scene in early summer, but when he created the painting in his studio, he rendered it in a dramatic blaze of fall colors. Such a choice likely had nationalistic overtones; he once proclaimed that autumn was "one season where the American forest surpasses all the world in gorgeousness." Cole included two Indigenous men in the painting’s right foreground foliage. At this time, the Adirondacks remained home to many Native Americans long after most had been forcibly removed from land east of the Mississippi River. While continuing to live, hunt, and fish in the area, these Algonquian and Iroquoian peoples were compelled to significantly adapt their existence amid increasing White settlement and its attendant lumber, mining, and tourist industries.
Provenance
Dr. George Ackerly [d. 1842], New York, NY, to his daughter, Emma Ackerly1; Emma Ackerly; Jonathan G. and Emma Ackerly Chapman, sold to Nicholas Matthews1; Nicholas M. Matthews [1858-1930], Baltimore, MD; (American Art Association, Matthews collection sale, Feb. 17, 1914, no. 61, possibly sold to T. Austin); Possibly T. Austin; (Anderson Galleries, New York, NY, Matthews collection sale, Jan. 17, 1916, no. 55, sold to Holland Galleries); (Holland Galleries, New York, NY, sold to the Cleveland Museum of Art); The Cleveland Museum of Art, Cleveland, Ohio
Dimensions
99.8 × 160.6 cm
Movement / Period
Accession No
1917.1335
Official Citations
Curatorial Affinity Stream
Continuing the Universe of Thomas Cole (American, born England,1801–1848)
American Painting and Sculpture • America • Harmonious Works & Contemporaries
Continuous Discovery