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Ichikawa Ebizō IV (Danjurō) as Takemura Sadanoshin in The Loving Wife's Parti-Colored Reins
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The Cleveland Museum of Art

Ichikawa Ebizō IV (Danjurō) as Takemura Sadanoshin in The Loving Wife's Parti-Colored Reins

Description

Ichikawa Ebizō IV’s (1741–1806) character, an actor called Takemura Sadanoshin, is permitted to perform opposite his daughter so he can see and hear her for the last time before her banishment for a forbidden love affair. This design belongs to a category of Japanese prints called “actor images” (yakusha-e or 役者絵). They were collected by fans of popular Kabuki actors. Kabuki is a kind of entertainment that got its start in the early Edo period, evolving from dance performances with simple storylines to long plays with complex plots, elaborate sets, and full musical accompaniments. Performers wear showy costumes and heavy makeup and strike poses called mie at critical moments in the narrative. Dialogue is spoken in a stylized way that resembles singing.

Provenance

(Yamanaka & Co., New York, NY, sold to Edward Loder Whittemore); Edward Loder Whittemore [1862–1930], Cleveland, OH, bequest to the Cleveland Museum of Art; The Cleveland Museum of Art, Cleveland, OH

Dimensions

36 × 23.6 cm

Movement / Period

Japanese Art

Accession No

1930.205

Curatorial Affinity Stream

Continuing the Universe of Tōshūsai Sharaku (Japanese, active 1794–95)

Japanese Art • Japan, Edo period (1615–1868) • Harmonious Works & Contemporaries