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Mrs. Daniel Hubbard (Mary Greene)
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The Art Institute of Chicago

Mrs. Daniel Hubbard (Mary Greene)

Description

John Singleton Copley was largely self-taught, his only formal training from his stepfather Peter Pelham, an English artist who specialized in mezzotint engraving. He nonetheless garnered considerable success as a portrait painter before the Revolutionary War. The sitter here, Mary Greene Hubbard, was a member of Boston’s merchant class (Copley’s portrait of her husband, Daniel Hubbard [1947.27], is also in the Art Institute collection). Her pose, gown, and background were precisely copied from a British engraving of a noblewoman, yet Copley distinguished the work as his own by capturing the figure’s individual features as well as the surfaces and colors of the luxurious fabrics. A decade later, he left colonial Massachusetts for England to further his career and simultaneously escape the strong political divides among family, friends, and patrons amid the impending Revolution.

Provenance

Mr. and Mrs. Daniel Hubbard, Boston, from 1764 to 1796; by descent to Mrs. Daniel Hubbard, Boston, from 1796 to 1808; by descent to Henry Hubbard, Boston, from 1808 to 1844; by descent to Mary Greene Hubbard, Boston, from 1844 to 1882; by descent to William Scollay Whitwell, Boston, from 1882 to 1899; by descent to his daughter Mary Hubbard Whitwell, Brookline, Mass, from 1899 to 1908; by descent to her sister, Mrs. William Tudor (Elizabeth Whitwell), Boston, from 1908 to 1929; by descent to her son, Henry Dubois Tudor, Cambridge, Mass, from 1929 to 1947; the Art Institute of Chicago, 1947.

Dimensions

127.6 × 100.9 cm (50 1/4 × 39 3/4 in.)

Movement / Period

american colonial

Accession No

59787

Curatorial Affinity Stream

Continuing the Universe of John Singleton Copley (American, 1738–1815)

american colonial • England • Harmonious Works & Contemporaries

Mrs. Daniel Hubbard (Mary Greene) by John Singleton Copley (American, 1738–1815) (c. 1764) | PublicArk | PublicArk