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Approaching Storm
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The Art Institute of Chicago

Approaching Storm

Description

This painting by Eugène Boudin, a Norman painter and Claude Monet’s teacher, exemplifies the artist’s signature style and subject matter in the 1860s. Monet would later follow Boudin’s practice of painting in the open air, the technique that gave this image of a beach for middle-class vacationers its vivid spontaneity and atmospheric light. This practice would be particularly important for Monet and his contemporaries, who came to be known as the Impressionists. Eugène-Louis Boudin painted many beach scenes at the fashionable tourist spots of Trouville and Deauville in Normandy. In them we see the life of the Paris boulevards translated to the seashore. Bathing attire being still relatively rare, people wore the same clothes at the beach as they did in the city and made the same round of promenades, visits, and dinners. The huts on wheels are portable changing machines that were pulled into the water so that bathers could change without fear of exposure.

Provenance

Mrs. Meredith Hare (Elizabeth Sage Goodwin, later Elizabeth Sage Hare, died c. 1949) [according to AIC Bulletin 1939 she had acquired it at a New York Sale]. Maynard Walker Gallery, New York by 1938; purchased by the Art Institute, 1938 using Coburn funds [see minutes from meeting of the Committee on Painting and Sculpture, AIC, October 5, 1938].

Dimensions

36.3 × 57.9 cm (14 3/8 × 22 1/2 in.)

Movement / Period

Impressionism

Accession No

27764

Curatorial Affinity Stream

Continuing the Universe of Eugène-Louis Boudin (French, 1824–1898)

Impressionism • France • Harmonious Works & Contemporaries