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Description
In this modest kitchen scene, a type known as a bodegón (from the Spanish word for pantry), Diego Velázquez depicted a young African woman at work, surrounded by exquisitely rendered pots, jugs, a mortar and pestle, and a crumpled paper wrapper for spices. In creating this painting, Velázquez may have used an enslaved woman from his or an associate’s household as a model. Slavery was widespread in the young artist’s hometown of Seville, Spain, and Velázquez, his father, and his teacher, Francisco Pacheco, were all enslavers.
Provenance
Private collection, Zurich [according to Mayer 1936]. Dr. L. von Buerkel, Munich [according to Mayer 1936]. Bottenwieser, Berlin [according to Mayer 1936]. J. Goudstikker, Amsterdam, by 1927, until 1935 [see Mayer 1927; Mayer 1936 mentions Mrs. Sterner, New York as owner between Goudstikker and the Art Institute, however, the painting was shipped directly from Goudstikker in Amsterdam to Chicago in November, 1935]; sold by Goudstikker to The Art Institute, 1935.
Dimensions
55.9 × 104.2 cm (21 7/8 × 41 1/8 in.)
Movement / Period
Accession No
21934
Official Citations
Curatorial Affinity Stream
Continuing the Universe of Diego Velázquez (Spanish, 1599–1660)
17th Century • Spain • Harmonious Works & Contemporaries
Continuous Discovery