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The Art Institute of Chicago
Final Study for "Bathers at Asnières"
Description
Georges Seurat made this painting as a preparatory work for his monumental Bathers at Asnières, now in the National Gallery, London. It shows men and boys on the bank of the Seine River in the working-class Parisian suburb of Asnières. The view presented here is just across the river from the leisure park Seurat immortalized in his best-known work, A Sunday on La Grande Jatte—1884. The frozen gestures and sedate poses of these bathers set a mood distinct from the sparkling scenes of Parisians enjoying restaurants and other riverbank activities favored by the Impressionists. Nevertheless, Seurat’s focus on a subject from modern life, his luminous palette, and his airy brushwork show how the young artist adapted characteristics of Impressionist painting for his own purposes.
Provenance
The artist; given to Robert Caze (died 1886), Paris [this and the following according to Dorra and Rewald 1959, 100; see also Seurat's list of owners of his works where Caze is named as the owner of "Esquisse de la baignade," reprinted in New York 1991, 380]; by descent to his widow, Louise Caze (died 1887), Paris. Gary. W.H. Sprenger, Paris and Essen [according to email from Claudine Godts, Wildenstein, Oct. 28, 2021; copy in curatorial object file]; Wildenstein and Co., New York, by 1948; sold to David M. Levy (died 1977) and Adele R. Levy (died 1960), New York, 1949; given to the Art Institute of Chicago, 1962.
Dimensions
15.8 × 25.1 cm (6 1/4 × 9 7/8 in.)
Movement / Period
Accession No
20199
Official Citations
Curatorial Affinity Stream
Continuing the Universe of Georges Seurat (French, 1859-1891)
Post-Impressionism • France • Harmonious Works & Contemporaries
Continuous Discovery