The Art Institute of Chicago
The Nativity
Description
To develop his own intimate style, Fra Bartolommeo looked to the most lyrical and harmonious paintings of his fellow artists working in Florence in the first years of the 16th century, including Leonardo da Vinci, Michelangelo, and Raphael. When the young artist came under the spell of the ardent Dominican reformer Girolamo Savonarola in 1500, he abandoned his artistic career for several years to join the order, becoming Fra (Friar) Bartolommeo. He made this work after his return to painting in 1504, investing it with a new spirituality.
Provenance
Sold through the Monastery of San Marco, Florence, to Domenico Perini, April 16, 1507; sent by Domenico Perini to France and possibly sold to Louis XII, King of France, along with a Noli me tangere now in the Louvre, according to a list of all Fra Bartolommeo’s pictures compiled in 1516; Bedemeau de Buxerolles, Poitou. Tabarly collection, Blois, Pierre Landry, Paris, by 1955; his heirs, sold, Christie’s, London, 11 July 2001, no. 68 to Haboldt and Company, Paris; sold to the Art Institute of Chicago, 2005.
Dimensions
34 × 24.5 cm (13 3/8 × 9 5/8 in.)
Movement / Period
Accession No
184371
Official Citations
Curatorial Affinity Stream
Continuing the Universe of Fra Bartolommeo (Baccio della Porta; Italian, 1472-1517)
Renaissance • Italy • Harmonious Works & Contemporaries
Continuous Discovery