
The Art Institute of Chicago
Equestrienne (At the Cirque Fernando)
Description
This work, set at a circus, captures the tense moment in which a female trick rider prepares to stand up on her horse and leap through a paper hoop held by a clown. The horse gathers speed, spurred on by the whip of famous ringmaster Monsieur Loyal. Henri de Toulouse-Lautrec may have based the garishly made-up rider, dressed in a tutu of gauze and sequins, on Suzanne Valadon, a former circus performer, model, and artist with whom he had a nearly three-year relationship. The rider seems to snarl at Monsieur Loyal, who glares back at her. Toulouse-Lautrec’s setting is the same circus in Montmartre depicted in Pierre-Auguste Renoir’s portrait of the Wartenberg sisters.
This is one of thirty-five works that comprise the Winterbotham Collection. Click here to learn more about the collection.
Provenance
Joseph Oller, Paris, 1888 (bought for his café concert, Le Moulin Rouge) until 1914 [see Paris, Paul Rosenberg 1914]. Baron LaFaurie, Paris, by 1914 [see Paris, Manzi Joyant, 1914]. Paul Rosenberg & Co., Paris by 1924 [see Paris 1924]. Joseph Winterbotham, Chicago, by 1924; given to the Art Institute of Chicago, 1925.
Dimensions
100.3 × 161.3 cm (39 1/2 × 63 1/2 in.)
Movement / Period
Accession No
16146
Official Citations
Curatorial Affinity Stream
Continuing the Universe of Henri de Toulouse-Lautrec (French, 1864–1901)
Post-Impressionism • France • Harmonious Works & Contemporaries
Continuous Discovery