
The Art Institute of Chicago
Mountain Brook
Description
Albert Bierstadt is best remembered for his paintings of the American West, but during his early career, the ambitious artist also created New England landscapes, particularly of the White Mountains, as seen here. When this painting was first exhibited in 1863, critics declared it Bierstadt’s “best work” and praised the artist’s deft contrast of “light and shade,” which brought a heightened realism to the image. Bierstadt’s affinity for the White Mountains mirrored a growing interest in the region as one of America’s premier tourist attractions. Photographs of the area from the 19th century suggest that Bierstadt utilized landscape elements from the Flume, a popular New Hampshire tourist site, in this imaginary composition.
Provenance
Oliver Kelly, Ohio, before 1900; by descent in the family until 1989; Hirschl and Adler Galleries, New York; Private collection, Los Angeles; Michael N. Altman and Company, New York, by 1997; the Art Institute of Chicago,1997.
Dimensions
111.8 × 91.4 cm (44 × 36 in.)
Movement / Period
Accession No
146701
Official Citations
Curatorial Affinity Stream
Continuing the Universe of Albert Bierstadt (American, born Solingen, Prussia, now Germany, 1830–1902)
Impressionism & Realism • United States • Harmonious Works & Contemporaries
Continuous Discovery