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Les Andelys, Côte d'Aval
The Art Institute of Chicago

Les Andelys, Côte d'Aval

Description

This view of the harbor of Les Andelys, a village on the Seine River near Giverny, France, is part of Paul Signac’s first series of works painted in dots and dashes of contrasting colors. The technique, called pointillism, was originated by Signac’s friend Georges Seurat. Signac would prove to be the most ardent proponent of this style, which he made his own through particular attention to geometric form. Here, for example, a triangular patch of blue creates a curve in the river, while an expanse of trapezoids in the background defines the cultivated hill.

Provenance

Given by the artist to Alexandre Charpentier (died 1909), Paris [according to Signac’s cahier d’opus no. 139 and G. Lévy and Signac’s pré-catalogue, p. 136 in Archives Signac, see Cachin 2000]. Valla, Paris, 1951 [this and the following according to Cachin 2000]. Jean Roubaud, Marseilles, 1960. Private collection, Switzerland, 1989. Sold Hôtel Drouot, Paris, June 21, 1993, lot 28 to the Art Institute.

Dimensions

60 × 92 cm (23 5/8 × 36 1/4 in.)

Movement / Period

Post-Impressionism

Accession No

122130

Curatorial Affinity Stream

Continuing the Universe of Paul Signac (French, 1863-1935)

Post-Impressionism • France • Harmonious Works & Contemporaries

Les Andelys, Côte d'Aval by Paul Signac (French, 1863-1935) (1886) | PublicArk | PublicArk