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Curatorial Overview
“The photographer would shoot a collodion negative on glass, then produce a positive version, possibly on glass. That would have been sent to a commercial firm which fused the images onto a glasslike coating on metal, a process fairly common in the late 1800s but now used primarily for grave headstones. The portraits were usually inset into a fancy box or tabletop frame for display in the couple’s home but could be made into portable mementos like the pocket-sized leather case.”
Object Details
Dimensions7.7 × 6.2 cm
Archive / MuseumThe Cleveland Museum of Art
Credit LineJohn Cook Memorial Fund
Curatorial Affinity Stream
Continuing the Universe of Etienne Carjat (French, 1828–1906)
Photography • France • Harmonious Works & Contemporaries
Continuous Discovery